Minimal in everything but sound, Discopussy employs a throw back to the hacienda days of Detroit, New York, and London inside a covert warehouse style space dressed in all black. Dance underneath our Neon tentacles to underground to the underground sounds of house and techno featuring artists spanning the globe. Most importantly, be lifted off the dance floor by our world class Void Soundsystem with low driving bass lines and crispy high kicks that would make the most meticulous audio aficionado blush.

CHROMEO - World leaders, powerful CEOs, and other fat cats could learn a lesson or two from electrofunk duo Chromeo, namely: know thyself, know thy vibe, and stay thy course. The rest of the population will catch up. Indeed, Chromeo is really good at being, well, Chromeo. The mission, the package, the vision — it’s been a straight shot of pure intentionality from the jump. Funk a game plan, Montreal natives Dave 1 and P-Thugg had a ten-year battle strategy: from cult 80s fetishists on 2004’s She’s In Control to indie blog darlings on 2007’s Fancy Footwork, to international touring sensations on 2010’s Business Casual, to bona fide pop stars on 2014’s White Women.

And guess what? Pee (still looking a smooth criminal in a Coogi) and Dave (ever the Semitic/Gallic heartthrob in tight pants) are back. Early 2018 will mark the release of the Funklordz’ fifth studio LP: Head Over Heels. The album not only elevates Chromeo’s blueprint of ass-targeting beats, melodic honey and clever lyrics about the foibles of contemporary love…it augments it with unprecedented conceptual cohesion, booming sonics and more collaborations than ever before. Session legends such as Pino Palladino and Jesse Johnson (The Time, D’Angelo) coexist alongside the likes of DRAM and The-Dream on this intricate and ambitious ode to funk music, orchestrated by modern day masters of the genre.

Consider the first single “Juice”, a hilarious paean to female power set to a buoyant California bop: it’s Chromeo at its biggest and baddest.